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We are accustomed to seeing virtual reality, which is depicted with the start of films like Matrixand Virtuous (The Sanish classic in the nineties) and GrassIt is really surprising to see something that treats VR in a possible positive way. In Flura Lao almondsAnd, which was first shown at the Sandans Film Festival this week, there is no major negative aspect to virtual reality, it is just another way for humans to communicate. In the case of my only film, the art gallery of the art gallery (Sandine Penna) and Wanger-Gangster Wei (Xiaodong Guo), VR works as a life end of human communication, which can help them find peace in a world where they both feel Adrift.
It is located in the era of the Hadith Chongqing (a city full of neon and future, it seems that the science fiction is more than the real) and Paris, the characters in almonds Live along with technology familiar to us. Smartphones and direct broadcasts that showcase young girls are common. But virtual reality devices in the film-including glasses similar to ski mask, and pointed fingers that resemble charming nails-are a step forward, and a little back, where we are today. almondsBoth the name of the movie and VR World People People, is a wonderful artifact of overwhelming reality for several years. It was before we know that the finger tracking could be the main input mode in the VR/AR headphones such as Apple’s Vision Pro.
REN and WeI experience VR world from almonds Electrification of their problems in the real world, although this ultimately proves sterile. Ren is trying to communicate with her stepmother Sabine (legendary Isabelle Hubert), who is the owner of the emotionally far -to -help exhibition that avoids any help of fatal disease. Meanwhile, Wei is trying to reconnect with his separate daughter FA, who can only see anonymous through that direct broadcast mentioned above.
The stories of the poem intersect during a hunting trip in the game for mysterious neon deer, which seems to be the closest thing to “win” almonds. WEI and Ren reluctantly connect, and in the end they start finding ways to treat their emotional wounds. It is an interesting concept, although we do not spend enough time with each of the characters hanging in virtual reality to really sell their relationship.
almonds Do not try to provide the entire CG VR world like Ready -made (Praise be to God), instead, we see an excessive version in the real world with an abundance of neon lights, floating molecules and characters who wear clothes as if they were about to go to Comic-Con. Obviously, it is an easier way to transfer VR, but the film also depicts a copy of technology that practically matches the real world. If VR is really immersive, then why do you care about the true lives? (From the stylistic point of view, it reminds me Ghost Director Mamuru Oshi Polish science fiction movie, AvalonWhich also explored how people can redefine themselves in the vr.)
While Lao is doing his best to formulate the wonderful VR images, what the movie really needs is more time to evaluate it to sit and talk to each other, instead of concluding feelings while staring at the distance. Within only forty minutes, there is a lot of space for more exploration of the character. But at least we get some interesting conversations between REN and SABINE, with HUPPERT is the same usually charming. (Perhaps the most incredible aspect of the movie is that Sabine, the presence of hip in the scene of the visual arts, did not try VR until Rin convinced it. We have seen artists adopting VR to install a new concept.)
Luz is about to be a great movie, with its strong shows and cinematic filming with confidence. But through self -control or writing the weak scenario, we do not always have a feeling of how customers are affiliated with the world, or even what they think about each other. The general approach looks very cold and far for a movie that ultimately revolves around the re -discovery of the human relationship.
